“New Books on the Edge” with Leslie Dorrough Smith

LS Book CoverRighteous Rhetoric: Sex, Speech, and the Politics of Concerned Women for America 

What sparked your initial interest in exploring what drives the “political power” of the New Christian Right (NCR) and Concerned Women for America (CWA)? How are such groups commonly approached and analyzed in scholarly discourse and the larger public imagination?

As with many scholars, I suppose, my interest in politically active conservative Christianity (a.k.a, the NCR) is at least somewhat autobiographical. I grew up in a social environment steeped in conservative evangelicalism, and so the claims made by these groups – namely, the valorization of the entire spectrum of conservative politics, including a religiously-rooted patriotism, traditional gender roles, and the superiority of the heterosexual, nuclear family – were not new to me.  In a very direct sense, then, my interest in these groups began when, as an undergraduate religious studies major, I was seeking to better understand the appeal of conservative evangelical ideas and their political impact. Continue reading

Who Are You? I’m A Nervous Flyer

Airplane

Who Are You?” asks members of Culture on the Edge to reflect on one of their own many identities (whether national, gendered, racial, familial, etc.), theorizing at the same time the self-identification that they each chose to discuss.

Preparing for Departure: I Knew I Knew You!

I’m am extremely nervous flyer. Walking onto a plane – and preparing for the anxiety of the flight – I enact rituals of certainty. Such practices don’t begin on the plane. They commence in the airport once I’ve arrived at my gate. I might call them rituals of identification for in turning myself into data as often as I do when I’m enacting such practices, I am clear that such things rely on the strategies I enact in reading other people (for my own purposes) – i.e., ones that often involve strategies such as authenticity and strategic essentialism as I scan the crowd trying to take stock of the “who” I might be in company with on the plane. In being a nervous flyer and by reflexively examining my practices, I seemingly learn more about this thing we call identity – how I catalogue others for my own social interests (i.e., protection and safety) and thus, how others read me back. Continue reading

The Love in Deconstruction

 DerridaAn Interview with Jacques Derrida” by Nikhil Padgaonkar

N.P.: Over the years, you have repeatedly defended the view that deconstruction is not an inherently negative term, that it is not to be understood as criticism or destruction. And indeed in an interview you gave in 1982 and which was subsequently published in Le Monde, you even said that deconstruction is always accompanied by love. Could you comment on this “love”. Is it the same love as in “philia”? Continue reading

Making Magic Work

magicianAn old story has been making its rounds and sparking discussion online over the past few weeks and it was too good for me to pass up on giving it a little Culture on the Edge consideration.

I, for one, would like to see the so-called evidence this school has that a 15-year-old girl made a grown man sick by casting a magic spell.” – Joann Bell, Executive Director, ACLU, Oklahoma Chapter.

The story went a little something like this: Fifteen-year old student, Brandi Blackbear, of Union Intermediate High School was accused of “casting a magic spell” that left her teacher sick and hospitalized. She was suspended. A civil rights lawsuit was filed with the U.S. District Court in Tulsa, Oklahoma on behalf of the student, which indicated that the student was banned from donning and drawing Wiccan signs and symbols in school. Continue reading

Jesus Isn’t “White” but “Light”

Jesus is Light PicBy now we’ve all heard about and perhaps even participated in the debate sparked by FOX news correspondent Megyn Kelly that Santa Claus is white and Jesus is too. Edge member Leslie Smith’s post about this recent tug-of-war of identity claims demonstrated how such conversations are made possible by some highly inventive—even outrageous—ideas. This past week, another assertion that foregrounds the difficulty of taking such outrageous claims seriously posited something curious about what the public outrage reveals or uncovers and what steps we should take next.

Both sides of the debate ultimately rely upon the same tactics and mechanisms that assist Kelly in making such preposterous assertions possible in the first place, suggesting that as much as things have “changed in America,” they also stay the same. Continue reading

Are You Ready?

areyouready

Culture on the Edge‘s Monica Miller is presenting at Skepticon 6, which is held annually in Springfield, Missouri. While there, she’ll be sending us her notes from the field.

Of course a conference like Skepticon, the largest free convention for Atheists, Freethinkers, and Skeptics would draw counter-demonstrations who believe that everyone here is destined for the fiery pits of hell. Continue reading

“My Morality” Doesn’t Need Your God

 

Culture on the Edge‘s Monica Miller is presenting (this morning at 11) at Skepticon 6, which is held annually in Springfield, Missouri. While there, she’ll be sending us her notes from the field.

She uses her sweet, melodic, and soulful voice as a lyrical window into her journey from Judaism to Atheism and as a tool of activism to challenge the dogmatic confines of religion in society. Meet Shelly Segal: a Melbourne based singer-songwriter heavily involved in secular activism who serenaded us last night with some songs off her most recent album “An Atheist Album,” which, according to Segal, “is a passionate response to dogmatic belief, inequality, religious oppression and the idea that only the devout can be grateful and good.” Continue reading

Ear Hustlin’: Notes from the Field

skepticon6logo

Culture on the Edge‘s Monica Miller is presenting at Skepticon 6, which is held annually in Springfield, Missouri. While there, she’ll be sending us her notes from the field.

Most people who know me well know how much I dislike flying — it makes me anxious, nervous, and worried about being lifted off the “ground of certainty,” so to speak. In order to distract myself from the angst I often feel while being in the air, I turn my own anthropological mirror against myself — as data, taking stock of all the religious-like-type-traces and rituals of certainty that rather unconsciously inform my habitus in moments of perceived uncertainty (I’ll spare you the hilarious and somewhat embarrassing details). Continue reading

Trick or Trick?

photo (6) A recent occurrence of misrecognition reminded me of two Culture on the Edge blog posts written this past summer (see here and here) in which Russell McCutcheon wrote about what it might mean to see the ordinary as curious in one post and another on public conversations on the role of identity in the movie, The Lone Ranger. In the former post, McCutcheon asked a simple question underneath a picture of Baka people performing for Pope Benedict XVI as he departed for Angola, “who is wearing a costume?”

If we take seriously theories of performativity and the role of the discursive in processes of identification as forcefully articulated by thinkers such as Judith Butler, then we know that something like Halloween occurs every day where we un/consciously present who we are/aren’t/want to be to the social world in which we participate in. Continue reading