There are few more relevant books for those interested in how systems of representation — in the most mundane and thus often unnoticed places — enable historical happenstance to be portrayed/perceived as timeless necessity than Roland Barthes‘s (d. 1980) classic collection, Mythologies. Originally published in the newspaper as brief commentaries on popular French culture, the short chapters have appended to them a lenghty theoretical essay, “Myth Today,” in which Barthes explains his approach to studying the multi-layered semiotic systems that we routinely see in daily life. In many ways, Mythologies, and the companion collection, The Eiffel Tower, model in their brevity but theoretical consequence what blog posts such as this site aspire to.
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