Those interested in how discourses on authenticity work to–as this article states it–stabilize an economy (of any form of signification, be it meaning or money) should consider the current issue (June 20, 2013, vol. 60/11) of The New York Review of Books and its article “What is a Andy Warhol”–an analysis of the goings on of the now defunct, but once powerful and always controversial, Andy Warhol Authentication Board.
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