By Matt Sheedy
This is part-two of a two-part response to Watts and Mosurinjohn’s essay “Can Critical Religion Play by Its Own Rules? Why There Must Be More Ways to Be ‘Critical’ in the Study of Religion,” which recently appeared in the Journal of the American Academy of Religion. See part 1 here.
Critique #3. The claim that ‘CR’ scholars set up a false dichotomy by upholding their own position as etic (i.e. as objective outsiders), while deeming others as emic (i.e. as subjective insiders) is based on a misinterpretation. Continuing with the example of colonialism that I outlined in Critique #2, Watts and Mosurinjohn claim, with reference to the work of McCutcheon: Continue reading “Critical Religion and the Critical Study of Religion: A Response to Galen Watts and Sharday Mosurinjohn, Part 2”
Recently on Netflix I watched an interesting episode of Law & Order: Special Victims Unit (“Producer’s Backend,” season 16 episode 3, which originally aired 8 October 2014). The narrative in the episode focused on a movie producer named Brubeck who used his power over young actresses — i.e., girls under the age of consent — to force them into sexual quid pro quos. Throughout the episode, the SVU detectives uncovered a number of victims, but in each case their hands were tied insofar as the assaults took place so far in the past that the incidents were past the statute of limitations.
As they investigated victims coerced more recently, they found that the movie producer had learned to cleverly skirt age of consent laws:
Detective #1: In the last nine years, all of Brubeck’s movies have been shot in Pennsylvania, Washington, or Montana.
Detective #2: All states with an age of consent of sixteen, and a mistake of age defense.
Prosecutor: Meaning, the guy can have sex with a fourteen-year-old and claim that he thought she was sixteen.
Despite this, the captain insists on moving forward with the investigation: “We’re not giving up. … There has got to be a way to stop him.” Continue reading “Forcing Tradition”