The following three-part series provides a first-hand account of one stop on Jordan Peterson’s recent 45-city tour promoting his bestselling book 12 Rules for Life: An Antidote to Chaos, with popular political commentator Dave Rubin. In part one I provide some background on the Peterson phenomenon, followed by a detailed account of one of his rallies in part two. Here in part three I offer some thoughts on how we might situate this phenomenon within broader cultural trends, with a tidbit on my own experience sitting in on a few of Peterson’s classes during my undergraduate years at the University of Toronto.
Are there 3 things that I leaned from attending a Jordan Peterson rally, as my title suggests? Perhaps, but in the world of YouTube algorithms it’s all about what gets clipped and what gets clicked.  I’ll leave up to others to determine who “changed” whose life, who got “destroyed,” or whether anything was “calmly dismantled” here–be it feminism, the “radical left,” or Peterson himself. Continue reading “3 Things I Learned from Attending a Jordan Peterson Rally, Part 3”
Culture on the Edge‘s Monica Miller is presenting (this morning at 11) at Skepticon 6, which is held annually in Springfield, Missouri. While there, she’ll be sending us her notes from the field.
She uses her sweet, melodic, and soulful voice as a lyrical window into her journey from Judaism to Atheism and as a tool of activism to challenge the dogmatic confines of religion in society. Meet Shelly Segal: a Melbourne based singer-songwriter heavily involved in secular activism who serenaded us last night with some songs off her most recent album “An Atheist Album,” which, according to Segal, “is a passionate response to dogmatic belief, inequality, religious oppression and the idea that only the devout can be grateful and good.” Continue reading ““My Morality” Doesn’t Need Your God”
Culture on the Edge‘s Monica Miller is presenting at Skepticon 6, which is held annually in Springfield, Missouri. While there, she’ll be sending us her notes from the field.
Most people who know me well know how much I dislike flying — it makes me anxious, nervous, and worried about being lifted off the “ground of certainty,” so to speak. In order to distract myself from the angst I often feel while being in the air, I turn my own anthropological mirror against myself — as data, taking stock of all the religious-like-type-traces and rituals of certainty that rather unconsciously inform my habitus in moments of perceived uncertainty (I’ll spare you the hilarious and somewhat embarrassing details). Continue reading “Ear Hustlin’: Notes from the Field”