I’m headed to California tomorrow for a few weeks and, while there, will be doing a little archival work. As a theorist, my relationship to archives has always been something of an ambivalent one. On one hand, I am a trivia geek and a total sucker for troves of old things. I like thumbing through letters and thinking about changes in penmanship and syntax over the years. I really dig the time capsule aspect of the process that creates enough distance for everything to appear strange and special to me. On the other hand, I am wary of the temptation to identify a clear or linear narrative about (and, in so doing, romanticize) the past. The archival project that I often assign to students in my Religion in the American South seminar, for example, asks them to focus on the rhetoric and contextual politics of the archival sources they examine in UA’s special collections library. In that sense, my students are looking reading historical texts from a perspective akin to what Hayden White outlines in his now-classic Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973), keeping in mind the manifold narrative devices present in the presentation of an artifact. Continue reading “Catching Archive Fever”
There’s an interesting, understated commercial playing here these days, advertizing a smartphone by not saying anything about it. Continue reading “Beyond Words”
“On the Spot” backs members of Culture on the Edge into a corner to talk about their backgrounds, their ongoing work, and what might be gained by an alternative understanding of how identity works.
Q: Craig, the shift that we’re all making at Culture on the Edge – from describing identities that either do or do not complement each other to studying the historically situated identification practices that make it possible to claim an identity – is not all that typical for scholars of religion. Do you agree? And if so, then what did you do your early work on and when (and why) did you start to make this theoretical shift?
A: I find that a lot of scholars claim that there is, of course, no essence to any religious or cultural tradition, but who then go on to talk as if there was. Continue reading “On the Spot with Craig Martin”
Over the past couple of years I’ve noticed a curious new practice in stores when I use my credit card: I often must produce another piece of identification to demonstrate that the credit card is mine. Continue reading ““Can I See Your ID?””