When the Sledgehammers Come Out

Picture 9I keep seeing laments online for what the members of the Islamic State are doing in museums — laments that easily slide into virulent critiques of their humanity since they obviously have no civilized respect for our collective human past.

I’ve written about this before, but what I wish to highlight here is how quickly otherwise nuanced people forget their own understanding of such things as the ideology of the museum, the politics of world history and discourse on civilization/barbarity, as well as the constructed nature of the past — quickly, that is, when their own taken-for-granted narratives of progressive development, value, cultural authority, and historical interconnection/lineage are called into question by those who, presumably, subscribe to a rather different narrative. Continue reading “When the Sledgehammers Come Out”

On the Spot with Vaia Touna

“On the Spot” backs members of Culture on the Edge into a corner to talk about their backgrounds, their ongoing work, and what might be gained by an alternative understanding of how identity works.

V

Q: Vaia, you focused some of your scholarship on ancient Greek texts both before and after beginning to read social theory – could you give us an example of how the theorists you’ve read have affected the way that you now approach these ancient materials?

A: My Masters was on Euripides’ tragedy Hippolytus and the notion of Meden Agan (i.e., moderation) and how it was understood in the 5th century BCE Athens. In order to write my thesis back then, of course, I read a lot of secondary literature and commentaries on the play, heavily descriptive works on the “religion” of the ancient world, and of course how ancients might have thought/felt and the universality of their meanings that (we today presume) stay unalterable in their texts—meanings that modern scholars, with the right tools, will be able to retrieve just like the archaeologists dig up and unearth the past. I did all that in my effort to better understand and recreate that ancient world. This approach to the ancient material has changed once I started reading theorists like Russell McCutcheon, Jonathan Z. Smith, Bruce Lincoln, Michel Foucault, and others; now my data are not just these ancient texts (whether literature, or statues, vases, etc.) but also the commentaries that previously served as my “way into” the ancient world, for I came to realize that the world I was entering was the world and time period of those scholars. Continue reading “On the Spot with Vaia Touna”