I was browsing through the late Raymond Williams’s Marxism and Literature (1977) the other day and came across a passage in the chapter entitled “Signs and Notations” that read as follows:
For the ‘sign’ is ‘arbitrary’ only from the position of conscious or unconscious alienation. Its apparent arbitrariness is a form of social distance, itself a form of relationship…. The formal quality of words as ‘signs,’ which was correctly perceived, was rendered as ‘arbitrary’ by a privileged withdrawal from the lived and living relationships which, within any native language … make all formal meanings significant and substantial, in a world of reciprocal reference which moves, as it must, beyond the signs.
There’s a few important points here, I think, worth mulling over — perhaps with regard to the garment workers in the above photo. Continue reading ““Smile for the Camera””