Green, St. Patrick’s Day, and the Politics of Identity

By Andie Alexander

As you likely know, Friday last was St. Patrick’s Day, so, of course, many people were donning green apparel, drinking green beer, etc. As St. Patrick’s Day is one of my favorite holidays, I’ve never put much thought into the whole “green thing.” Growing up, I remember my elementary school teachers encouraging us to wear green every March 17th so that we didn’t get pinched! (And yes, you were fair game for a pinching if you weren’t wearing green — grade school kids can get a little too into the free-license to pinch, i.e., sanctioned violence one day a year.)

While jokingly discussing the necessity of wearing green on St. Patrick’s Day, I began to wonder why we were wearing green and decorating with shamrocks. Having assumed it had to do with the rich emerald green landscape of Ireland, I had never thought twice about it. But now, insisting that green must be worn, I decided to “go to Google” to find out what was up with all the green. Continue reading “Green, St. Patrick’s Day, and the Politics of Identity”

On Metaphors


“. . . . We know (or think we know) that history is a perplexing, incessant web of causes and effects; that web, in its natural complexity, is inconceivable; we cannot think about it without resorting to the names of nations.”

From “A Note on Peace” 1945 by Jorge Luis Borges, included in Selected Non-Fictions.


Photo “Jorge Luis Borges 1951” by Grete Stern, public domain

The Narratives We Like

PlotmountainGun fights, political intrigue, and a race against time. Reading fiction is one activity that provides a little excitement. While I enjoy a range of authors and styles, my favorites are the pulp espionage and legal thrillers from authors like David Baldacci, John Grisham, and Steven Martini. The exciting plot keeps me highly engaged and turning the pages to see how the hero or (sometimes) heroine fight off or outwit the dangerous, enigmatic threat. Like many people, I appreciate a good narrative, and that desire for a manageable, linear plot is not limited to reading novels.

Reading in Hayden White’s Tropics of Discourse (yes, I also read some academic works during the summer) has prompted me to reflect on these preferences and their connection to my own writing. White argues that the construction of a historical narrative has important similarities to fiction writing, as the historian selects data from the range of sources she peruses and pieces them together into a narrative, choosing particular “modes of emplotment” (such as romance, comedy, or tragedy) that generally correspond to particular explanatory approaches in the field of history. Continue reading “The Narratives We Like”

Catching Archive Fever

archive fever

I’m headed to California tomorrow for a few weeks and, while there, will be doing a little archival work. As a theorist, my relationship to archives has always been something of an ambivalent one. On one hand, I am a trivia geek and a total sucker for troves of old things. I like thumbing through letters and thinking about changes in penmanship and syntax over the years. I really dig the time capsule aspect of the process that creates enough distance for everything to appear strange and special to me. On the other hand, I am wary of the temptation to identify a clear or linear narrative about (and, in so doing, romanticize) the past. The archival project that I often assign to students in my Religion in the American South seminar, for example, asks them to focus on the rhetoric and contextual politics of the archival sources they examine in UA’s special collections library. In that sense, my students are looking reading historical texts from a perspective akin to what Hayden White outlines in his now-classic Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973), keeping in mind the manifold narrative devices present in the presentation of an artifact. Continue reading “Catching Archive Fever”

Now You Have Taken It Too Far

herodotusThis semester I’m teaching an introductory course on the Study of Religion, that is, looking at scholarly definitions and scholarly approaches to the study of religion. We’re exploring among other things, together with my students, questions like what is the study of religion? What is at stake in naming/defining/classifying things in this or that way? Although this early in the semester one question that prevails is: Continue reading “Now You Have Taken It Too Far”

Coz these are the good old days

dairyI remember my dad, when I was younger, talking to a customer at the gas station that my parents owned and operated. The man was complaining about the price of gas going up and up and waxing nostalgic for how much it was years ago.

Now, my dad, who was born in 1923, also remembered things about the past but his memories ran counter to his customer’s; so I recall him replying with how much a quart of milk used to cost (yes, my dad once was a milkman, going door-to-door with a horse and wagon), pointing out that no one today seemed to complain about its astronomic rise in price — for if we use the early 1930s as our benchmark, when he was a kid, then the cost of milk has increased somewhere around 800% since then. Continue reading “Coz these are the good old days”

The Reality of the Civil War

3715221018_907932a4cd_zSitting in a hotel meeting room in downtown Atlanta the weekend before Thanksgiving, I watched a professor ask one of my colleagues if the Civil War really happened. This question reflected an effort to challenge the approach that sees scholars and language creating the world. (For an example of this approach to history, see Vaia Touna’s posts here and here.) The questioner here also emphasized a distinction between history (stuff that really happened in the past) and historiography (the writing about the stuff that happened), suggesting that a focus on analyzing historiography ignores the reality of the events themselves. Continue reading “The Reality of the Civil War”

On Storytelling and Disengaging from Immediate Intuition

pierrebourdieu2This is part of a collection of posts of quotations from The Sociologist and the Historian, (first published in French in 2010 and in English in 2015), a short collection of transcripts from a series of late 1987/early 1988 radio interviews between Roger Chartier and the late social theorist, Pierre Bourdieu.

Here I am often tempted to tease my historian friends. They have a concern with writing, with good form, that is quite legitimate, but often they spare themselves the raw vulgarities of the concept, which are extremely important for the progress of the science. The concern for a good story can be very important because there is also a function of evocation, and one of the ways of constructing a scientific object is also to make it felt, make it seen, evoke it almost in the Michelet sense, though I do not care for this very much myself. Can you evoke a structure? That seems very strange, but it is one of the functions of the historian — as distinct from the sociologist, whose task it is, on the contrary, to disengage the immediate intuition; if he wants to explain and election night, he knows that the reader already knows too much about it; so he has to cut back, get down to the essential; while the historian, if he wants to talk about the Benedictine monks, can bring in the forest, etc. There is a function of fine style here. But sometimes, I believe, historians sacrifice too much to good form, and to that extent, do not carry through the break with initial experience, with aesthetic preferences, with the enjoyments associated with the object. (81)

Listen to the original radio broadcast, in French, here.

On Anachronism

bourdieuThis is part of a collection of posts of quotations from The Sociologist and the Historian, (first published in French in 2010 and in English in 2015), a short collection of transcripts from a series of late 1987/early 1988 radio interviews between Roger Chartier and the late social theorist, Pierre Bourdieu.

I believe that one of the contributions of my work … has been to turn the scientific gaze onto science itself. For example, to take occupational classifications as the object of analysis instead of using them without hesitation or reflection. The paradox is that historians, for example … often show an extraordinary naivety in their use of categories. For example, it is impossible to conduct longitudinal statistical studies comparing the status of medical doctors from the eighteenth century through to our day — perhaps I’m inventing this example — without being clear that the notion of a ‘doctor’ is a historical construction that has constantly changed. It is the very categories with which the historic object is constructed that should be the object of a historical analysis.

The same pertains in relation to the terms with which we speak about reality. ‘Politics,’ for example, is completely a historically constituted notion, constituted very recently; the world of what I call the political field is practically an invention of the nineteenth century. You could discuss — I don’t want to go out on a limb, being faced here with a redoubtable historian — but I believe that all these notions, all the words and concepts that we employ to conceptualize history, are themselves historically constituted; and strangely, historians are actually the most apt to fall into anachronism since, whether to seem modern or to make their work more interesting, or out of negligence, they employ words that are currently used to speak of realities within which these words were not current, or else had a different meaning. I believe that this reflexivity is extremely important. (11-12)

Listen to the original radio broadcast, in French, here.