“Making Football English” (Part I of this two-part series) addressed the ways in which Julian Fellowes’s The English Game narrativizes the origins of football (or soccer, for those of us in the U.S.) as distinctly English despite the Scottish influence on the English game. As discussed in part one:
Football historian and The English Game consultant Andy Mitchell tells The Telegraph‘s Paul Kendall, “The Scottish game was far more effective than the English game at this time. The English version … was more like rugby.” Paul Kendall continues: where the English teams “would just dribble in a pack and try and force a goal through brute strength,” the Scottish teams “developed a way of making space and passing the ball … playing the game as we understand it today.” The series concludes with this title frame:
Apart from Fellowes’s endeavor to portray football as distinctly English, I found this concluding title slide in the final episode particularly intriguing. The so-called “English game,” pioneered by Scottish professionals, is presented not only as being distinctly English, but also as the standard for modern football around the globe. Continue reading “Universalizing “English” Football, Part II”
I was running the other day and this bumper sticker stopped me in my tracks. What do you think this means? How (or better yet, for whom) does this work?
In the course I’m TAing for (a Masters level American Religious History course), I was given the opportunity to give a class lecture. The professor wanted me to bring my own work and knowledge, given that the lecture material was related to my own area of study (Catholic immigration and nationalism in the US). While I have had the opportunity to lecture in the past (and design my own portion of the syllabus to then teach), this was the first time I taught material chosen by someone else. Continue reading “Teaching “Just the Facts””
By Jason W. M. Ellsworth
Who founded McDonalds? The film, The Founder, tells the history of Ray Kroc as the founder of McDonald’s. It even opens, like many other Hollywood biographical films, with a simple set of words written in white letters set to a black backdrop — “based on a true story.” But, not everyone agrees that the credit should go to Kroc. The film’s title and focus on him gives the impression of a simple enough story, but, as the study of religion demonstrates, origins and founder narratives are usually highly contested with much at stake.
The Founder stars Michael Keaton as Ray Kroc, a traveling milkshake appliance salesman in the 1950s. Unsuccessfully pedaling machines one at a time to various drive up diners, Kroc is curious about one restaurant in California requesting eight of the appliances. When Kroc arrives, he finds a well-oiled diner that runs like a Ford assembly line, one where every burger is consistently of the highest-quality and served lightning quick — “orders ready in 30 seconds, not 30 minutes.” Mac and Dick McDonald are the architects of this highly stream-lined kitchen where no stone is left unturned in the name of efficiency. They originally opened their first McDonald’s BBQ in 1940, and then reopened their newly improved McDonald’s in 1948. Continue reading “Manufacturing Fast Food Founders”
Have you heard?
There’s a new theory as to where the term “eskimo” originated.
Click the above image to read the brief article, but here’s a snippet: Continue reading “Names and Things”
This is part of a collection of posts of quotations from The Sociologist and the Historian, (first published in French in 2010 and in English in 2015), a short collection of transcripts from a series of late 1987/early 1988 radio interviews between Roger Chartier and the late social theorist, Pierre Bourdieu.
As far as populism is concerned, I do not believe that I’ve left the least room for ambiguity. Here again, I could use a Socratic metaphor: Socrates questions, but he does not take the answers he is given as legal tender. And the sociologist knows very well that people who give answers in perfectly good faith do not necessarily speak the truth. His whole work consists in constructing the conditions for elaborating truth on the basis of observed behaviors, of discourses, writings, etc. Even if there are always a few imbeciles who believe that the common people speak more truly than others. In fact, one aspect of people being particularly dominated is that they are particularly dominated by the symbolic mechanisms of domination. For example, anyone who thinks (this was the fashion at the time the left was in power) that putting a microphone in front of the mouth of a miner will gather the truth about miners; in fact, what you get are the trade union discourses of the last thirty years; and when you do the same with a farmer, you get the discourses of schoolteachers — transformed. So the idea that you could find a kind of place of original insight in the social world, whether this is the intellectuals, or the proletariat, or some other group, is one of those mystiques that have enabled intellectuals to give themselves a boost, but on the basis of a dramatic self-mystification. The sociologist listens, questions, has people speak, but he also gives himself the means of subjecting every discourse to criticism. That goes without saying in the profession, but I think it is not known outside of it. (25-6)
Listen to the original radio broadcast, in French, here.
The following is a brief excerpt from my own Introduction to the soon-to-be published collection of essays, Fabricating Origins, from the Working With Culture on the Edge book series.
Among the assorted knick-knacks that line my office’s shelves — ranging from such relics as photos of friends and family or gifts I’ve accumulated over the years to a selection of tattered romance novels shelved long ago among my books by mischievous students — is a nicely matted and framed “fossil” of Knightia, a long extinct genus of small boney North American freshwater fish, dating to more than 35 million years ago (or what scientists know as the Eocene epoch), and which was recovered from the well-known (to fossil hunters, at least) Green River Formation in southwestern Wyoming. I bought it one summer, heavy wooden frame and all, about ten years ago in a gift shop in downtown Iowa City, Iowa, at the same time that I purchased for my Department’s library a number of other artifacts, such as the stereotypical dancing Shiva statue and the Thai-styled bust of Buddha, complete with its intricately carved curls. I never anticipated writing about my framed piece of sedimentary rock, though I have often used it in classes to illustrate a point or two about discourses on origins; I now realize that this rock might have some uses outside of the classroom. Continue reading “How Old is That?”
Tonight is the series end to Mad Men, the story of the early years of Madison Avenue ad men (and women). When last we saw him, the protagonist, Don, had given away his car to a young scam artist, offering him a new start, and was seated alone at a bus stop, his belongings in a big paper sack. His ex-wife, Betty, had been diagnosed with lung cancer but was going back to school anyway. His onetime boss and then partner, Roger, was playing an electric organ in their freshly vacated offices while Peggy, once a secretary but now an integral part of the creative team, had rollerskated her way into a new found self-confidence and a new office, armed with some erotic Japanese art.
Continue reading ““I Was an Orphan. I Grew Up in Pennsylvania…””
I was asked a question at a recent presentation I did up at the University of Chicago, concerning why the etymology of technical terms is a focus in an intro book that I wrote (and which I use in my own 100-level classes). Given my persistent critique of quests for origins it seems odd, or so the question might go, to focus on the origins of words, no?
late 14c., ethimolegia “facts of the origin and development of a word,” from Old French etimologie, ethimologie (14c., Modern French étymologie), from Latin etymologia, from Greek etymologia “analysis of a word to find its true origin”
Good point. Why do I talk about etymologies in that book? Continue reading “An Apology for Etymology”
We used a typescript copy of my small, forthcoming edited volume, Fabricating Origins (due out this summer), in my upper-level seminar this semester, a course devoted to examining origins narratives — seeing those various sorts of “In the beginning” tales we so commonly tell as not being about the past their tellers claim to narrate but all about the present and future hopes of the tale’s narrator. The course started out with Barry Levinson’s endearing film “Avalon” (but one that opens the way to discussing hidden fractures in the life of any social group) and then a couple weeks later we watched Woody Allen’s “Midnight in Paris” (in which the notion of nostalgia is problematized so nicely) — both setting the tone for the course. Students kept notebooks in the class (something I learned from Jonathan Z. Smith and which I’ve incorporated into most of my upper-level seminars), and they handed them into me last week; it was interesting to see, from some of their notes, how effective the films were in framing the problem of the course. And then, eventually, we worked our way to the ten revised posts from this site, collected together in the above-named volume, complete with commentaries on each by a group of young scholars I’ve mostly met online through social media. And, like the movies, the volume seems to have worked well with students, to press home the point of the course.
And that point was…?
Don’t look in the distance, or the past, at whatever someone is gesturing toward; rather, keep your eyes on the one trying to direct, perhaps even to force, your gaze. Continue reading “Fabricating Origins”