“Making Football English” (Part I of this two-part series) addressed the ways in which Julian Fellowes’s The English Game narrativizes the origins of football (or soccer, for those of us in the U.S.) as distinctly English despite the Scottish influence on the English game. As discussed in part one:
Football historian and The English Game consultant Andy Mitchell tells The Telegraph‘s Paul Kendall, “The Scottish game was far more effective than the English game at this time. The English version … was more like rugby.” Paul Kendall continues: where the English teams “would just dribble in a pack and try and force a goal through brute strength,” the Scottish teams “developed a way of making space and passing the ball … playing the game as we understand it today.” The series concludes with this title frame:
Apart from Fellowes’s endeavor to portray football as distinctly English, I found this concluding title slide in the final episode particularly intriguing. The so-called “English game,” pioneered by Scottish professionals, is presented not only as being distinctly English, but also as the standard for modern football around the globe. Continue reading “Universalizing “English” Football, Part II”
Being a fan of both soccer and Downton Abbey, I decided to check out one of Julian Fellowes’s recent productions, The English Game. The Netflix miniseries, which aired in March 2020, is about the birth of football (or what we here in the US call soccer). The feel-good, wholesome show is set in 1879 and tells the story (with some embellishments, of course) of how a working-class team challenged and disrupted a gentlemen’s game. Take a look at the trailer…
Shadow: In 1933, Roosevelt took the U.S. off the Gold Standard, right? … So you can’t just go into a bank and redeem money for gold or silver. You said money is the most powerful god in America. But money isn’t actually worth anything.
Mr. Wednesday: I have a piece of paper, hm? But I want this salt shaker. You have the salt shaker, but you’re willing to take my piece of paper for your salt shaker. Now, why would you do that?
Because this isn’t actually a piece of paper; it’s a story.
And the story that you heard over and over and over again. And it’s been drummed into you that this is worth something. This is of value. No matter what country, culture, or religion. The whole world loves… money. The greatest story ever told.
“On the Spot” backs members of Culture on the Edge into a corner to talk about their backgrounds, their ongoing work, and what might be gained by an alternative understanding of how identity works.
1. When people ask you what you study, what do you tell them?
When asked, I usually say I study the ways in which people talk about something called “religion.” (No, I don’t whip out the scare-quotes…) I frame it this way to shift the conversation away from “Oh, so you want to work in the church?” and (hopefully) to get them to consider what I’m doing when I make that move. Usually, my response prompts them to ask for an explanation. I tell them that my work examines the varying ways in which the category religion is defined and classified and how those definitions are linked to notions of national identity within the U.S. I’m interested in how different understandings of religion are employed, specifically with immigrant groups, in a way to standardize conceptions of religion, or put differently, as a way to Americanize marginalized immigrant groups in the U.S. So rather than studying religion, as one might commonly think, I study how the category of religion is implemented and adapted by scholars of religion and more systemic effects and consequences for both hegemonic understandings of religion and forced assimilation of immigrant groups.
While this is certainly a longer conversation than simplifying our work to “I study history,” I think it’s worthwhile to do. On the one hand, history is no less complicated of a discipline than religious studies, and on the other, our own attempt to set our field apart from more commonly accepted or understood areas of study not only reinforces the idea of religion being set apart and special — i.e., not intertwined with the social, political, etc. — , but also perpetuates the idea that religion is too complex to easily discuss. Thinking about religion through systems of classification and discourse instead of a stable thing that exists in the world, we can approach the study of religion rather differently. Of course, one cannot always get into such an in-depth discussion, but when time allows, it certainly makes for an interesting conversation and helps to get folks thinking about the category of religion in different ways. Continue reading “On the Spot with Andie Alexander”
In the course I’m TAing for (a Masters level American Religious History course), I was given the opportunity to give a class lecture. The professor wanted me to bring my own work and knowledge, given that the lecture material was related to my own area of study (Catholic immigration and nationalism in the US). While I have had the opportunity to lecture in the past (and design my own portion of the syllabus to then teach), this was the first time I taught material chosen by someone else. Continue reading “Teaching “Just the Facts””
The other day, I went to a local coffeehouse for breakfast. The restaurant is an entirely gluten-free facility that also caters to other dietary restrictions. The restaurant is somewhat of a hot-spot for those of us with food allergies or dietary restrictions because it accommodates most all of them. While the entire facility is gluten-free (not to be confused with wheat-free), they also have vegan breads and cheeses, so anyone can order most anything on the menu. Continue reading “Real Cheese and the Eucharist: On the Rhetoric of Dietary Restrictions”
When I was a kid, “Guess Who?” was a very popular game with me and my friends at my after school program. It was always a pretty quick game, which had friends gathered around while waiting for their chance to play the winner. Perhaps you recall the game — two players, each choose a yellow card, which had the picture of one of the faces on the board, and take turns guessing which card the other person has. While each of the pictures has a name on it, players can only ask yes or no questions about physical appearance: hair color, hair style, age, etc. Continue reading ““Guess Who?”: A Game of Differentiation”
You will likely remember the (somewhat) recent restoration of Ecce Homo in Spain that resulted in a rather different representation of Jesus in the newly finished product. It quickly became a meme and has since been circulated widely on the internet. It came to mind after seeing this following video about art restoration. Take a look:
The video takes us through the process of the restoration of Mother Mary to demonstrate the ways in which art is maintained to last. But as I was watching the video, I began to wonder when restorations are considered to be good and necessary and when they are considered to be destructive. As shown in the video, much care is taken with the restoration process — every detail attended to with great care. While the finished restoration of Mother Mary is, to the casual observer, far more similar than that of Ecce Homo to the worn image we see in the beginning of the video, are the restorations of the two all that different, practically speaking? Continue reading “A Good Fake or a Bad Fake?”
This Thursday, some members of Culture on the Edge will be heading to Boston, MA for the annual meetings of the American Academy of Religion and Society of Biblical Literature. If you’re there, be sure to look us up in the program book or on the mobile app and find us at a panel.