I was born in 1961, the youngest of four (the oldest of whom was born immediately after the end of Word War II), so that puts me at the tail end of the so-called baby boom. Television predated me, of course, but I was a member of the first generation weaned on it; so there’s a good chance that it was on television, and specifically in cartoons, where people like me came across the things that later turned out to be so much more complicated. Continue reading “The Mighty Hercules”
History is a funny thing — we think it’s removed from us and somewhere in the past, yeah, but inasmuch as we know about it, it’s in the present, right in front of our eyes. In fact, if it isn’t in the present — some tattered artifact settled into our context and far removed from whatever setting it might have once been in — then it might as well be that proverbial tree falling in a forest with no one aware of the crash. Continue reading ““This is a New Song…””
Yes, I’m now old enough to remember things that some around me have never heard of — no, not the Hindenburg disaster but, say, lighter moments from popular culture. For example, a niece who used to keep me updated on cool music that I ought to be aware of (she was my own personal fountain of youth, in other words), once told me about The Ataris. Continue reading ““Don’t Look Back, You Can Never Look Back””
A quick post in honor of our site’s Curator, who is currently seeing the sites/sights in Greece with Vaia, a member of Culture on the Edge: above is Andie on the victor’s podium at the white marble Panathenaic Stadium — (re)built for the first modern Olympic games, in 1896, on the remains of an 4th century BCE stadium that hosted what we consider to be the ancient games. Continue reading “I’ve Got Your Number”
Michel-Rolph Trouillot, Silencing the Past: Power and the Production of History (Beacon Press, 1995).
A practical series of case studies (e.g., the Hatian Revolution) by the late (d. 2012) University of Chicago Professor of Anthropology/Social Sciences on how discourses on the past are not about recovering or remembering enduring items from history so much as deploying techniques in the present continually to limit what in the archives will count as the past. As such, how does one write a history of the forgotten, “a history of the impossible”–a genealogy of the choices that led to this or that narrative of “the past.”