I was listening to the radio today — you know, the place where we used to hear what we now call podcasts, as long as they come over our computer’s or smartphone’s speakers…? — and heard an interesting episode of the cooking show The Splendid Table, devoted to Filipino food.
The northern end of Elizabethtown College sits at the meeting of East College Ave and Campus Rd. The vertex is more of a bend than an actual edge, justifying the placement of a conditional stop sign. Drivers can do the otherwise illegal so long as they are rounding the curve, but those moving away from the school must heed the sign conventionally.
Maybe you have similar intersections where you live, but signs like these appear to be rare in Lancaster County, Pennsylvania. If anything, we make a habit of yielding the right of way to pedestrians, other automobiles, and yes, Amish buggies. Thus the rare conditional stop sign becomes a license to throw caution to the wind. Continue reading “I Saw the Sign, or Did I?”
(Photo: The North American Association for the Study of Religion)
Some of us here at Culture on the Edge are prepping for The North American Association for the Study of Religion (NAASR) annual meeting that kicks off tomorrow. Part of the meeting is dedicated to “The Things We Study When We Study Religion.” Three sets of panels address what counts as data and how that data is handled — specifically tackling the objects, subjects, and the role scholars in our scholarship (find more info on the NAASR site). At the same time, here on the blog we’ve been reading Rogers Brubaker’s trans: Gender and Race in an Age of Unsettled Identities. In light of the topics being addressed at NAASR, there’s a quote from Brubaker that I find to be relevant and worth mulling over:
“Yet recourse to objectivist language is not simply strategic; it also reflects the deep appeal of essentialist understandings of identity outside the academy. Objectivism is further nourished by the cultural authority of biomedical science.”
While Brubaker goes on to discuss biological research in the study of transgender identity, the above quote is rather apt and quite useful in the broader scope of identity studies as well. Though, there may also be a need to address the essentialist notions of identity that are taken for granted within the academy itself and how authority itself is constituted. In recognizing how authority is constructed it can help remind us to be cognizant of the power that resides in making identity claims to begin with, essentialist claims that nourish objectivism, often taking on a life of their own adding to a broader objectivist language, both inside and outside the academy.
This Thursday, some members of Culture on the Edge will be heading to Boston, MA for the annual meetings of the American Academy of Religion and Society of Biblical Literature. If you’re there, be sure to look us up in the program book or on the mobile app and find us at a panel.
We’re using Zoom, for video conferencing, and so you may see a few posts in the future revolving around what we come up with. And if you’ve read it, let us know what you think — Chpt 2, our peer review blog, is always looking for new voices.
Photo of Animated Triceratops at Universal’s Island of Adventures, Orlando, FL
What do the dinosaurs of the past have to do with us today?
The first time I remember thinking about what really makes a dinosaur, was watching Steven Spielberg’s academy award-winning picture Jurassic Park (1993), where dinosaurs are brought back to life through the magic of DNA cloning. In the film, the small island of Isla Nublar is the home to a theme park built from the imagination of John Hammond, a billionaire philanthropist who spares no expense.
Adapted from Michael Crichton’s novel, Jurassic Park is a wildlife park of cloned dinosaurs that escape their enclosures and start hunting the humans. In one of the film’s most iconic scenes we find siblings Lex and Tim trapped in a kitchen by two raptors. As can be seen in the picture below the raptors tower over the children seeking out the siblings in a terrifying game of hide and seek.
Photo Copyright Universal Studios, Film Stills: Jurassic Park (1993)