This past summer, as they have many times before, my kids asked if they could hold a lemonade stand. I’ll admit having mixed feelings about the whole enterprise. My less enthusiastic side tends to perseverate on my own lost work time and the endless number of supplies and chores that accompany that task, for no matter how much they insist they can and will do it independently, that never comes to pass.
When I’m at my most enthusiastic, though, I get tickled at their excitement, not to mention how effectively they convince strangers to drink their warm and questionably tasty beverages. After all, it was my children who, several summers ago, informed a customer at their kool-aid stand that the only reason why we had kool-aid in our house was because it was left over from their mom’s yarn-dyeing experiment. Since their mom would never ever let them drink the stuff, they added, they were (naturally) selling it to strangers.
The public intellectual tweeted about the lack of educational enterprises helping students discern the construction of “facts” and “data” in an age of “fake news.” Tyson has long been an advocate of meta-cognitive pedagogy. But the tweet’s concise pronouncement suggested that no one is doing that work. Continue reading “Figuratively the Humanities”
“The winners write the history” is an easy way to highlight that those who have power are the ones who control how history is told. But this adage needs a bit more nuance, as sometimes those who lose end up on the winning side anyway. In the case of the American Civil War, the accounts that we tell in the United States too often legitimize the Confederacy. While some descriptions receive significant critique, such as Secretary Ben Carson describing slaves as “immigrants”, typical accounts are more subtle, hardly noticed by many. For example, narratives seldom refer to the actions of the Confederacy as treasonous, even though Andrew Johnson’s 1868 pardon given to those who fought for the Confederacy describes the rebellion as an act of treason. Continue reading “Who Won the Civil War?”
I assume you’ve heard the news of the two major hurricanes (and the damage they caused) that recently came ashore in the US — the first hitting the shores of southern Texas and then the other (this past weekend, just over a week after Texas was hit), going up the full length of Florida.
During the commentaries on these two events — whether by the media, politicians, or people who lived through them — I found it interesting how comparative analysis was deployed to make sense of the events.
So, you heard the news? Culture on the Edge has expanded the core group and gone back to basics; the peer review guest blog (what we call Chapter 2, up on the main menu) is still here and looking for interesting posts, of course, but just as our focus on a common book helped to get this initiative off the ground (as you may recall, it was a book by J-F Bayart) we’ve decided that we’re going to read a couple books each semester, together. Continue reading “”
At Culture on the Edge, we’d like to think that one of our strengths is our academic diversity. While many from our original group have come from some area of the study of religion, we have a variety of areas of specialization — from Greece, to India, to the United States, from ancient history, academic discourse, and gender, to religious identifications, music, and literature. These many areas of specialization have prompted challenging and constructive conversations as we have grappled with issues in the study of identification. As we welcomed guest bloggers aboard (in what we’ve called “Chapter 2” of the blog), we’ve seen even more new perspectives added to this ongoing and ever-evolving study. Continue reading “The Next Chapter of Culture on the Edge: New Collaborations”
The vision of white racial purity that drove the Nazi regime to perpetrate genocide in the mid-twentieth century has persisted into the present, most recently made visible by American white supremacist groups. The idea that bodies not only represented but also manifested an essential cultural supremacy may seem to be an outdated and backward view of the world. And yet, a recent surge in popular interest in ancestry and DNA may reveal the ways in which biological essentialism continues to inform popular American notions of identity.
As returning readers may already know, Culture on the Edge’s first chapter started in the Spring of 2012, when seven scholars of religion decided to work together on a common project devoted to studying identities — how they’re made and negotiated. Our blog began a year later, as a public place where we could experiment with the ideas on which we were working, trying to find discrete (and usually overlooked) examples where the work of social formation could be seen, if we just looked at them in a new way. The many posts that resulted (Chapter 1 on the menu bar) were meant to be pithy and written for a wide readership, modeling what a scholar of religion who reads across disciplines might contribute to understanding society at large. And then, about a year ago, we invented our second phase, encouraging other scholars to use the blog as a site to continue to advance the analysis of how social life works; Chapter 2 is therefore a portal for peer review posts, inviting submissions that, in the voices of new authors, press in new directions the insights on identification practices that we’ve been exploring all along. Continue reading “Developments at the Edge”
Emphasizing differences can generate ill-will and even violence, as we have seen (again) with the events in Charlottesville and the responses to it. But constructing differences is a central component of forming identifications and is not necessarily negative. The 1940’s US propaganda film Don’t Be a Sucker rejects discrimination against minorities in America and compares that position to Nazi ideology. While the film presents the creation of divisions as a problem, it also illustrates the positive side of division in a less direct fashion. If you haven’t seen it, it is worth viewing, particularly the first half of the film. Continue reading “Are Divisions a Problem?”
Recently on Netflix I watched an interesting episode of Law & Order: Special Victims Unit (“Producer’s Backend,” season 16 episode 3, which originally aired 8 October 2014). The narrative in the episode focused on a movie producer named Brubeck who used his power over young actresses — i.e., girls under the age of consent — to force them into sexual quid pro quos. Throughout the episode, the SVU detectives uncovered a number of victims, but in each case their hands were tied insofar as the assaults took place so far in the past that the incidents were past the statute of limitations.
As they investigated victims coerced more recently, they found that the movie producer had learned to cleverly skirt age of consent laws:
Detective #1: In the last nine years, all of Brubeck’s movies have been shot in Pennsylvania, Washington, or Montana.
Detective #2: All states with an age of consent of sixteen, and a mistake of age defense.
Prosecutor: Meaning, the guy can have sex with a fourteen-year-old and claim that he thought she was sixteen.